Tonight at the New York Public Library, John Tresch, a teacher in department of History and Sociology of Science at the University of Pennsylvania, discusses his new book, The Romantic Machine , with philosopher Simon Critchley, a Professor of Philosophy at The New School, where he teaches courses on continental philosophy, phenomenology, the ethical and the political.
“With The Romantic Machine, John Tresch fulfills the goal of most recent history of science: to show that when you follow scientific achievements you end up describing a whole culture, including its literature and arts”. Bruno Latour Sciences, Po Paris
“Tresch looks at how new conceptions of energy, instrumentality, and association fueled such diverse developments as fantastic literature, popular astronomy, grand opera, positivism, utopian socialism, and the Revolution of 1848.”
“Previous scholars have viewed romanticism and industrialization in opposition, but in this groundbreaking volume John Tresch reveals how thoroughly entwined science and the arts were in early nineteenth-century France and how they worked together to unite a fractured society.”
As the fields of science and arts continue to converge in our modern culture, what’s your take on John Tresch’s new research and philosophy on the history of the subjects’ interplay?